#DENOISER 2 AFTER EFFECTS FULL#
#DENOISER 2 AFTER EFFECTS PRO#
#DENOISER 2 AFTER EFFECTS SOFTWARE#

Though it has aВ nice enough RGB parade scope and aВ good set of colour tools,В it can't really be used for targeted secondary correction. Magic Bullet already make Looks (see 'Magic Bullet Looks' box), which is less for accurate colour correction and secondary grading and more for creating aВ 'big look', complete with lens flares, vignettes and spot exposures.

#DENOISER 2 AFTER EFFECTS SOFTWARE#

As good as the software is, with professional features like LUTs (Look Up Tables of colour information for matching particular broadcast standards), IВ always found isolating secondaries to be difficult and quite slow. This doesn't help users who want to have secondaries directly in the timeline in Premiere, as they will have to purchase aВ Premiere license separately and will still have to open aВ separate window to handle secondary colour correction.

#DENOISER 2 AFTER EFFECTS FULL#

Color Finesse allows primary colour correction only in aВ simplified interface, or full secondaries and scopes in its own interface. Owners of Production Premium CS5 or Master Collection CS5, both of which include After Effects, will have aВ bundled copy of Synthetic Aperture Color Finesse 3 LE for After Effects. Of course, this option is expensive and limited to very powerful computers only, so it's not for everyone.

#DENOISER 2 AFTER EFFECTS PRO#

Mac Pro users with sufficient dedication to grading can now purchase Blackmagic DaVinci Resolve as aВ softwareвЂ‘only version for $999, aВ far cry from the previous controlвЂ‘surface version, which cost nearly $30,000. If you want correction in the timeline you could use the simple colour corrector, but then you don't have the same array of options for secondary colour correction (that applied toВ specific colours or areas), soВ inвЂ‘depth work still needs to be sent to Color and rendered. But Color is aВ separate program, meaning that you have to send your edited sequence to Color and render files back into your FCP timeline when you'reВ done, also known as aВ 'round trip'. To get an idea of exactly where Colorista 2 fits in the market, and what it's up against, let's briefly examine the competition.ДЇor Final Cut Pro users, Apple Colour is included and can handle the bulk of gradingВ duties. Magic Bullet Colorista 2, available from Red Giant Software, is aВ colour correction plugвЂ‘in for Adobe Premiere Pro CS3, 4 and 5 Adobe After Effects CS3,4 and 5 and Apple Final Cut Pro. With so many different bundled and thirdвЂ‘party colour correction plugвЂ‘ins available, do Colorista 2's new features offer anything special?

Denoiser 2 after effects